Beginning over a decade ago, in a Pre-Weird America, Son of Earth has traveled a surprisingly linear trajectory through noise and collective improvisation to a simple, quiet, and more considered music. The band’s path has led through hundreds of performances and collaborations (including Shackamaxon, which brought together all three members of Son of Earth with Marcia Bassett and Chris Gray of Double Leopards and Pete Nolan of the Magik Markers), but has resulted in only a handful of releases, often handcrafted and released on the group’s Apostasy Recordings label.

While still being filled with the unease and tension that is their hallmark, Improvements is the first record that also allows the humor and camaraderie between the members of Son of Earth to come to the fore. Most of their previous releases have been culled from live recordings, and the group has always thrived on the tension of live performance. Earlier studio efforts, such as the acclaimed Pet LP, though recorded at home, were composed in an everyone-has-to-be-serious approximation of the live performance experience. This time, possibly for the first time, in a sweaty little room, and in a stairwell, and in a back yard tossing horseshoes in Holyoke, Massachusetts, the group finally dropped all pretense - not of seriousness, but of obligation to some unseen spectator. On Improvements, you can really hear John Shaw, Matt Krefting, and Aaron Rosenblum being themselves, and being Son of Earth and it’s weird.

Manchester-bred, Rick Myers, who has worked with John Cale, Andy Votel, Dinosaur Jr. and Badly Drawn Boy and has created books with Nieves Zurich & Gladtree Press to name a few, provides the beautiful art / design-work for the LP jackets. LP comes wrapped in letter-pressed band and contains a 16-page art book. Edition of 300 SOLD OUT

REQUIRED WRECKERS SERIES

With equal nods to Throbbing Gristle’s retrograde conceptualism and Recommended Records unwavering musicality, Amish is pleased to announce the Required Wreckers Series. Over the next ten catalogue releases, R/W will explore the work of artists operating at the intersections of sound art, improvisation, drone, outsider experimentation and modern composition. In the spirit of its name, R/W aims to disrupt the boundaries typically used to delimit genre and the sensibilities that help to inform taste. In so doing, R/W slips out from under the simple, reductive classifications so often used to discuss, and even critically engage, contemporary music. Situating R/W in the gap between Throbbing Gristle’s celebrated a-musicality and the unrelenting craftsmanship of Henry Cow, these releases acknowledge their debt to historical precedent.

Each release is a one-time vinyl pressing and will be housed in a letterpress band (designed by Bryan Christopher Baker) that will vary with each installment (each will also be available in the vastly inferior digital format). These LPs will also include artwork and assorted ephemera that invoke our deepest respect for the medium and the hand-crafted (and assembled) components we regret have disappeared with the rise of digital media. R/W terminates after ten installments.